Short-story

di Andrea Batilla

You’re on the sofa, in the house your mother left you.
It hasn’t changed since her mother left it to her.
The rooms smell of a faded yet enduring, unbreakable, constant wealth.
In the room you’re in now, the windows look out onto a large, illuminated square.
You stare at it from above without moving.

The glimmers from the nineteenth century street lamps highlight the dark wood paneling, the velvet upholstered armchairs, the cabinets stuffed with ceramic trinkets, and the soft cognac colored leather sofa you’re sitting on.
On the table, the remains of your dinner:
chipped ceramic plates edged with gold, crystal glasses from mismatched sets, tarnished silver cutlery. You always set the table neatly, even though there’s no need.
From a burlwood box, you take out a cigarette.
You use a gold lighter and savor the scent of burning tobacco mingling with the slight mustiness emanating from the moiré wallpaper.
You get up to look outside, the parquet floor creaking under your feet.
You see a figure walking slowly, so far away it’s almost indistinguishable, wearing a long camel colored coat, carrying a bag, the hair glowing in the darkness.

The figure stops abruptly.
It seems to ponder where to go. Then it turns and looks at you.
You can’t make out the features but you know it’s looking at you.
It’s a shadow coming to life and you’re surprised, embarrassed, excited.

You stare back for long seconds, your breath quickening.
You want it to come closer, to discern the lines of the face, the color of the hair, the softness of the hands.
The figure glances around the square, undecided.

After a long moment of hesitation it starts walking again disappearing under one of the arcades, gone from your sight forever.
You remain standing, feeling the light breeze brush your neck.

You close your eyes, breathe in, go back inside.
The taste of persistent happiness lingers on you.

Andrea Batilla

During his professional career Andrea Batilla has collaborated as a designer and textile researcher for some of the most important Made in Italy brands such as Romeo Gigli, Trussardi, Aspesi, Cerruti, Les Copains, Bottega Veneta.

For five years he has been director of the fashion school of the European Institute of Design in Milan, establishing a close relationship with Franca Sozzani, editor in chief of Vogue Italia. In that period he created the Piattaforma Sistema Formativo Moda, the first Italian association of fashion schools.

From 2009 to 2015 he was co-editor in chief of the biannual PIZZA magazine and of the online platform pizzadigitale.it. In 2017 he wrote the screenplay and followed the production of the documentary MARCELO BURLON – UNINVITED directed by Mattia Colombo, available on Amazon Prime.

In 2019 he wrote INSTANT MODA for the publisher Feltrinelli, a history of fashion from the French Revolution to today. He deals with strategic consultancy for luxury companies collaborating for international brands. He is investment consultant for Mayhoola Group.

He teaches research methodology at the Marangoni Institute in Milan and history of fashion at Accademia Costume e Moda. Recently the topic of sustainability in fashion has led him to build a large audience of followers on Instagram from whose profile he addresses the issues of circular economy, pollution and globalization in fashion.